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Jogoo La Shambani Haliwiki Mjini: The Village and the Town in the Mũgithi and One-Man Guitar Performances in Kenya

by Maina wa Mũtonya Abstract The 1990s marked an emergence of a relatively new genre in the contours of Kenyan popular culture.  The Mũgithi performance signaled a beginning of new directions, largely in Kenyan music and specifically in the contemporary Gĩkũyũ music in terms of themes and style. The performance, mostly an urban phenomenon dominated by […]